First thing out of the gate, as previously reported, the band formerly known as Hillsong Live is now Hillsong Worship.
While I’ve been aware of the work of Hillsong for many years, it wasn’t until last year’s Glorious Ruins that I had a proper introduction to them. That album was great, but likely overshadowed by Hillsong United’s Zion record and the massive hit “Oceans.”
The group’s latest album, No Other Name, is a solid addition to their catalog, though time will tell as to its staying power. The set list starts strong, though excitement seems to wane toward the back half of the record. Several songs are “keepers,” but most took some time to grow on me — as opposed to the immediate connection I had with their previous release.
It’s often hard to critique a worship record because there is a lot at play beyond just production values, artistic choices, and listening experience. With that in mind, I will try to be as holistic as possible with my review.
The album opens with the mellow and melodic “This I Believe,” a nice, contemporary take on the Apostle’s Creed. While far from a new concept, the structure here is really engaging. “Heaven and Earth” is a great follow up, further developing the creedal theology and introducing the album theme. The high point of the album comes on track 3, “Broken Vessels.” The nine-and-a-half minute epic weaves together new lyrics and a new tune with the classic hymn “Amazing Grace.”
With how strong Glorious Ruins and Zion were, it’s hard to not hold this record up against them. For me, Ruins was immediately engaging despite being new material. I think that a large part of the effectiveness of that record was that the LIVE aspect was really ramped up.
The crowd volume was high and the songs were melodically engaging. That made it easy to feel like I was part of an experience. On No Other Name, the crowd voices are present, but are buried in the mix — sometimes to the point that I had to really pay close attention in order to hear them.
United’s Zion was not as captivating to me right off the bat. In fact I think I turned it off after about 30 seconds. I did, however, give the Zion Acoustic Sessions more opportunity and it has become one of my favorite records of the last year. Track by track, the songs have grown on me. That style of song-writing, especially the moodier melodies, are readily present here. While there are some anthemic moments, the entire presentation just seems muted — not that that is bad thing, just not what I was expecting.
Beyond the listening experience, an album that presents itself as a worship record should be able to provide resources to the church – that is, it should be “transferrable.” (It should be said that I think this is where Live and United have served different functions in the past, with United being more artistic, and Live being more corporate-worship-oriented.)
With that in mind, I think that church leaders will be pleased with “No Other Name” because it does offer several great songs that can be immediately picked up and used in corporate settings.
All things considered, this is a good record and definitely worth the listen. I would highly recommend it to worship leaders who are looking for something to add to their Sunday morning set list.
If this record suffers it is only due to the high expectations set by its predecessors in the Hillsong catalog.